When the analog channel inputs are switched to phono level (using the physical switches on the back of the unit), it’s also possible to adjust their sensitivity to match the output of the carts you use. In addition to that, it’s possible to bypass the default button lighting behaviour – a welcome option for MIDI mapping nerds who want to create their own visual feedback. ![]() The mixer can also both send and receive MIDI Clock. You can choose the mix record source, switch between mono or stereo for the master out, adjust the audio buffer size, control filter resonance (for each channel independently) and change effect settings. The settings are stored in the internal memory of the mixer. The Rane Sixty Four driver installs in a breeze and comes with a straightforward control panel. Within 3 days, I knew everything I could’ve possibly wanted to know – and I can safely say that was a first as far as support experiences go. To my surprise, however, they responded quickly and left me with little to follow up on. Despite my honest effort to keep it short, I still ended up with an essay’s worth of text, so I fully expected any support person to make this beast of an e-mail disappear and blame it on the spam filter. This is very cool, but we’ve already seen that on the SL4 and the Sixty-Eight – so what benefits are there besides club installations and hassle-free jam sessions? SUPPORTĪfter studying the manual back to back, I decided to contact Rane directly because I had some really specific technical questions about working with two machines. As with the Sixty-Eight, the most prominently advertised feature of the Sixty Four is its two USB ports which simplify changeovers for Serato DJ users: all you need to hook up a second computer is a USB cable. Out of all mixers I’ve seen at the BPM Show, the Rane Sixty Four intrigued me the most – so when I got back home, I quickly found myself browsing the Rane website. The improved high-contrast display, identical to the one on the Sixty Two, is very readable even at extreme angles. The faceplate has a nice matte surface with no sharp edges – there’s even a secondary headphone connector on the front of the unit, so your cable won’t get in the way. The controls are packed pretty tightly for a 4-channel unit, but in my opinion they couldn’t have been laid out any better. Someone clearly spent a lot of time looking for the perfect “click” on every little bit of this mixer, down to the little joystick in the effects section. If you’re used to working with rubber buttons, the backlit plastic triggers on the Sixty Four take a while to adapt to – but once you’re familiar with them, feel and response are actually great. The knobs feel just right, too: no wobbliness, just the right amount of resistance and an unobtrusive center click where necessary. Unlike the crossfader, however, the line faders are not magnetic according to Rane it wasn’t a budget decision, there simply wasn’t enough space to put them in – but the regular ones still do a very good job. ![]() Let’s get the obvious stuff out of the way: we’re looking at a Rane mixer designed with turntablists in mind, so it’s perfectly OK to expect an amazing crossfader, and the Rane Sixty Four doesn’t disappoint. ![]() The mixer wasn’t connected to a computer, probably because Serato DJ 1.5 was still in beta at that time – but I could take a good look at the layout and build quality. The DJWORX/IDA booth was located right next to the Rane showcase stand, so it was easy for me to spend some time over there and check out their new flagship: The Sixty Four. Luckily, attending the BPM Show in Birmingham provided me with the opportunity to try some fresh kit – and unexpectedly, I found a mixer worth writing about. In the true high-end area, the options are limited. Truly a pain these days, as most of the greats are gone from the DJ market. However, due to its very limited hackability, the mixer eventually had to find a new home – and I had to find a new mixer. Last year, I was looking for a fully integrated solution for DJing with Traktor Scratch Pro to replace my Ecler Evo5 which, disappointingly, never received a 64-bit driver update – so I purchased a Kontrol Z2. Manual: Rane DJ Website WHERE DO I START, WHERE DO I BEGIN.
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